Fontana del Mascherone di Santa Sabina – a charming, but undervalued Roman mascaron

Fontana del Mascherone di Santa Sabina, Piazza Pietro d'Illiria

Fontana del Mascherone di Santa Sabina, Piazza Pietro d'Illiria

It seems, that this fountain protruding out of the wall, depicting a grotesque face with bushy eyebrows, bulbous nose, caved-in eye sockets, and an enormous face, from which a rather scant stream of water trickles into the marble basin-sarcophagus, since old times has constituted an integral part of one of the most romantic places in Rome. Behind the walls to which it is adjacent, stretches the Orange Garden (Parco degli Aranci), located on the Aventine cliff, from where, especially in the evening, there is a beautiful view of the whole city. Then we can see the Tiber winding at our feet in the nightly glow, the illuminated dome of St. Peter’s Basilica in the distance, the building of the Church of St. Cecilia, seen as in if it was in the palm of our hand, and the Altar of the Fatherland, dominant over the whole city and astonishing with its enormity. At times at the old stone gate of the park, there is an elderly man selling roasted chestnuts, while their scent envelopes the area as a balm mingling with the smell of trees and the silhouettes of in-love couples, for whom the park is a favorite meeting place.

Fontana del Mascherone di Santa Sabina, Piazza Pietro d'Illiria
Fontana del Mascherone di Santa Sabina on Aventine Hill
Fontana del Mascherone di Santa Sabina, fragment

It seems, that this fountain protruding out of the wall, depicting a grotesque face with bushy eyebrows, bulbous nose, caved-in eye sockets, and an enormous face, from which a rather scant stream of water trickles into the marble basin-sarcophagus, since old times has constituted an integral part of one of the most romantic places in Rome. Behind the walls to which it is adjacent, stretches the Orange Garden (Parco degli Aranci), located on the Aventine cliff, from where, especially in the evening, there is a beautiful view of the whole city. Then we can see the Tiber winding at our feet in the nightly glow, the illuminated dome of St. Peter’s Basilica in the distance, the building of the Church of St. Cecilia, seen as in if it was in the palm of our hand, and the Altar of the Fatherland, dominant over the whole city and astonishing with its enormity. At times at the old stone gate of the park, there is an elderly man selling roasted chestnuts, while their scent envelopes the area as a balm mingling with the smell of trees and the silhouettes of in-love couples, for whom the park is a favorite meeting place.

 

Yet the history of the fountain is fairly new, despite the fact that the elements which make it up come from old times. It did not appear in this location until 1936, when a certain architect combined a marble basin, originally a part of ancient baths with a mask of a mascaron, which was made at the end of the XVI century (1593) by Giacomo della Porta. This last one was created for a water reservoir located at Forum Romanum which served the purpose of obtaining water, used to water the cattle which had been sold there at that time. The fountain with the mascaron spitting out water, which may be a representation of the god Oceanus, was situated near the Temple of Castor and Pollux and it is clearly visible on old drawings. It was torn down at the beginning of the XIX century. Then the mask found its new home on the right bank of the Tiber, near Porto Leonino, while the bowl, to which the water initially flowed was transported to Piazza del Quirinale and adorned the fountain located there (Fontana dei Dioscuri). At the end of the XIX century, during a flood, the mask was taken down and for decades it was stuck in city warehouses. Such was the case until the 1930’s, when combined with an random basin it appeared in its current location – in direct neighborhood of the Church of Santa Sabina, delighting visitors with its charm and an intriguing mysterious grimace.


I recommend this mascaron to the never-ending throngs of enthusiasts of the famous Bocca della Verità (The Mouth of Truth) found nearby. Firstly it is more charming than that one and it has more character, while secondly immersing yourself in the cool waters of the fountain will most likely be a more interesting sensation than taking a picture of yourself with your hand being put into – for the umpteenth time –   the maw of the mascaron of the Mouth of Truth.

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